Dragonforce album youtube
Unfortunately this does not last the entire album or even until the next song. But….it is an infectious and catchy slab of power metal cheese. It is a cheesier than normal pop metal sounding power metal song that sounds like 80% of the bands other songs. Dragonforce’s sound has always incorporated the video game sounds of the 8 Bit era in their guitar work, and the mood of the music has always been happy and positive, but “Highway to Oblivion” cranks it up a few notches. Well looking at the amazing album art and diving into the first song “Highway to Oblivion,” we are sent back to the 1980s. How does their eighth album, appropriately named Extreme Power Metal, hold up to the rest of their discography? For a band that many metalheads complain about for having written the same song for their entire career, Dragonforce has become one of the more diverse power metal bands that emerged in the 2000s. Mostly known for their 2006 breakthrough “Through the Fire and the Flames,” Dragonforce has had an interesting career that saw them find their niche of power metal (Valley of the Damned and Sonic Firestorm) turn into a Mach 5 power metal band (Inhumane Rampage and Ultra Beatdown), reinvigorate themselves with a new singer and returning to their roots of the first two albums, (The Power Within), and finally experimenting with thrash metal and writing nothing but mostly mid-tempo metal songs (Maximum Overload and Reaching Into Infinity). Somehow it has been twenty years since Herman Li and Sam Totman formed the band that became Dragonforce. Power metal may not be the most inventive musical style on the planet, but Dragonforce are making it more exciting than most anyone else has for quite some time.Review Summary: Plodding along one 80's influenced song at a time So that about covers the Ultra Beatdown "juggernaut": come for the guitar solos, stay for the music. All of the above is still couched within the band's general extreme power metal template, mind you, complete with tireless drummer Dave Mackintosh (still quicker than a humping heavy metal hamster) and hapless bass player Frédéric Leclercq, who is unselfish enough not to mind remaining mostly invisible throughout. And with standouts like "The Last Journey Home" and its only slightly less distinguished fellow epic, "Inside the Winter Storm," the band shows greater dynamic range than usual, arguably earning some definitive "progressive" metal credentials once and for all, beyond the sheer extended lengths of the songs.
Dragonforce album youtube plus#
"Reasons to Live," for example, adopts a tango-like rhythm for its solo break, capped by a stunning synthesizer flurry from Vadim Pruzhanov "Heartbreak Armageddon" boasts a surprising psychedelic flavor in its midsection and "The Warrior Inside" breaks up Li and Totman's usual six-string frenzy with a stately orchestrated synth section - plus a soaring finale led by vocalist ZP Theart. Previously wheeled out almost exclusively for the band's mercifully rare, intolerably saccharine ballads (oftentimes wimpier than Journey, and here represented by a somewhat more palatable drunken soccer anthem called "A Flame for Freedom"), these frequently provide welcome breaths of air amidst the album's still prevailing maelstrom. What's more, even though frenetic new tracks like "Heroes of Our Time" and "The Fire Still Burns" evidently descend from the band's signature hit (memorable for Herman Li and Sam Totman's ever-spectacular solos more than any innovative songwriting traits), Ultra Beatdown introduces several new elements into the Dragonforce sound - not the least of which being more abundant, subsonic tempos. By those standards, Dragonforce's aforementioned guitar shredding and extreme metal intensity alone already qualify as rather radical innovations. But this accusation doesn't hold much water in the historical scope of the power metal genre - a genre that has barely evolved beyond the basic template set down by Helloween's form-defining Keeper of the Seven Keys, Pt. This transition - largely based on the new millennium's most unapologetic display of guitar shredding yet - propelled the surprising sales of the sextet's third album, Inhuman Rampage, and laid quite a foundation for its much anticipated follow-up, 2008's Ultra Beatdown, which, among other things, will face immediate accusations of repeating its predecessor's winning formula (not to mention key song title words like ''Flame," "Fire," ''Storm," etc.). Not only does it aptly describe the nature of their hyperkinetic "extreme power metal," but also their vertiginous ascent from utter music community obscurity to new media, errr.juggernaut, when their breakthrough single, "Through the Fire and Flames," became first a YouTube sensation and later a keystone of the Guitar Hero video game phenomenon. Look up the word "juggernaut" in the dictionary and you may just find Dragonforce's photo alongside the definition.